Supporting Music
The Salvat Foundation carries out a committed duty to cultural patronage with a special focus on the musical field, promoting young talents and promising voices across the Spanish musical landscape through the Salvat Bach Grant. And it does so in collaboration with important Spanish auditoriums such as the Gran Teatre del Liceu, Palau de la Música Catalana—of whose patronage councils it is a member—and Teatro Real in Madrid. It also supports the Concert de Rams in the Abbey of Montserrat and promotes the Salvat Ensemble orchestra.



The SALVAT BACH GRANT
The SALVAT BACH GRANT, created in 2014 by the BZM Foundation (Pau Jorquera and Daniel Tarrida) with the backing and patronage of the Salvat Foundation, aims to promote the training and promotion of young soloist singers of early music, and to become a benchmark platform that offers visibility to new vocal talents. Each year it awards grants to four soloists (soprano, contralto-countertenor, tenor and bass-baritone).
The grant consists of a financial endowment of 5,000 euros per each awarded. It counts with the support and musical programming expertise of the Bachcelona Foundation and the Bach Collegium Barcelona, and also offers training and collaboration with renowned musicians and professionals.
The Salvat Foundation organises a series of concerts throughout the year with several winning soloists from different editions of the grant.
List of winners of the SALVAT BACH GRANT
2026 – XII ed.
2025 – XI ed.
2024 – X ed.
2023 – IX ed.
2022 – VIII ed.
2021 – Edition cancelled due to COVID19 pandemic
2020 – VII ed.
2019 – VI ed.
2018 – V ed.
2017 – IV ed.
2016 – III ed.
2015 – II ed.
2014 – I ed.
Call for the Salvat Baroque Music Grant 2026
Grant contest rules
FAQs Salvat Bach Grant
Contact
Collaboration with THE LICEU, THE PALAU and THE REAL
The Salvat Foundation regularly collaborates with the Palau de la Música Catalana and the Gran Teatro del Liceu, organising concerts with them in its auditoriums and forming part of its patronage councils, as well as with the Teatro Real in Madrid. It maintains a close collaboration with all of them that materialises annually in their involvement with the auditions and the awarding of the Salvat Bach Grant in support of young talents.



CHOIR OF THE PHARMACOLOGY AND FOOD SCIENCES FACULTY OF THE UNIVERSITY OF BARCELONA
Created in 1994, the choir is made up of students or teachers, former students or other members of the university community. In addition to participating in concerts organised by the faculty itself and university choir meetings, the choir participates intensively in activities organised by other entities and citizen associations.
Its musical repertoire includes pieces from the Renaissance to the present day in all types of formats and genres, from popular songs from around the world to jazz and gospel, with special mention of a unique pharmaceutical-themed commissioned piece, Herbarius, hortus sanitatis.
In 2004, on the occasion of its ten years of activity and thanks to the support of the Salvat Laboratories patronage, the Choir began a new stage that allowed it to cover a wider repertoire and a constant improvement of its musical level. In 2012, the Choir of the Pharmacology Faculty and the Salvat Foundation signed a new collaboration agreement that led to a decisive increase in choir activity.
SALVAT ENSEMBLE ORCHESTRA
The Salvat Ensemble orchestra was founded in May 2018 at the behest of its current director, Ahmet Süleyman Bilgin, and the president of the Choir of the Pharmacology Faculty, Pere Gomis. Although it was born with the idea of providing a stable, high-standard orchestra to accompany the choir in pieces that required it, the Salvat Ensemble extended its vision and began to develop its own artistic programme. All the members that make up the Salvat Ensemble are professional musicians with a long career in chamber music groups and orchestras, both in Spain and internationally. Thanks to careful training, the Salvat Ensemble stands out for its mature level of performance.

Despite the orchestra’s short trajectory, it has performed a vast repertoire ranging from the Baroque to the Romantic, playing both orchestral and orchestral-choral pieces, including pieces with instrumental or vocal soloists. It has performed world-renowned compositions such as Vivaldi’s Four Seasons, Purcell’s Baroque opera Dido & Aeneas and Mozart’s Requiem, among many others.
One of its most outstanding performances was that of 15 October 2019 in Santa Maria Reina de Pedralbes (Barcelona), where it performed, together with a programme of selected compositions, Mozart’s Requiem (see video in this section), as part of a concert in tribute to Elvira María Teresa Musso, who passed away on 8 March of that same year following her extensive career as president of the SALVAT pharmaceutical company.
The Salvat Ensemble works and offers its music with the aim of granting a new interpretation of the orchestral repertoire, with a clear commitment to the authenticity of their performance according to historical criteria and a firm will to bring the beauty of classical music closer to the public.
Collaboration with THE BACH COLLEGIUM BARCELONA

Since its establishment in 2018, the Bach Collegium Barcelona has collaborated closely with the Salvat Foundation, producing and performing concerts organised by the Foundation and convening for its own programme not only the winning soloists of the current Salvat Bach Grant, but also winning soloists from previous editions.
The Bach Collegium Barcelona provides an opportunity to continue professionally supporting, in collaboration with the Salvat Foundation, the most promising solo singers with the greatest impact in the field of solo singing and specialised in early music.
Collaboration with THE BACHCELONA FESTIVAL
The Bachcelona Foundation (formerly the BZM Foundation) has been part of the Salvat Bach Grant since its creation in 2014. It currently continues to support and collaborate with the artistic programming of this important call for young singers.
In this sense, the soloists of the Salvat Bach Grant always play an important role in the Bachcelona Festival, especially in the inaugural concert, performing hand in hand with such renowned directors as Václav Luks, Shunske Sato and Ton Koopman.
Collaboration with THE ABBEY OF MONTSERRAT’S CONCERT DE RAMS
The collaboration with the Abbey of Montserrat was born in 2021 and originated in support of the traditional Concert de Rams, programmed annually by the abbey on the night of Palm Sunday, featuring religious music in accordance with this important date. A commitment that is maintained over time thanks to the signing of a collaborative agreement.

Program Concert de Rams 2024
Collaboration with THE CLASSICAL AND TRADITIONAL MUSIC FESTIVAL
The collaboration between the Foundation Salvat and Els Amics de la Música de Santa Magdalena de Esplugues de Llobregat goes back a long way. Among many collaborations, a special link is established with the Festival de música clàssica i tradicional which is now in its 24th edition at the Parròquia de Santa Magdalena.
Concert archives
Concert de Nadal
Cantata BWV 123, Aus der Tiefen rufe ich, Herr, zu dir – J. S. Bach
Director: Alex Potter
Palau de la Música Catalana – Sala de conciertos
2th december 2025
Concert de Rams a Montserrat
Mass Alma Redemptoris Mater by Fr. Anselm Viola osb
for 8 voices, soloists and orchestra
Director: Pau Jorquera
Basílica de Montserrat
12th april 2025
Concert de Nadal
Cantata “Liebster Immanuel, Herzog der Frommen”, BWV 123 – J. S. Bach
Chandos Anthem n.9 “O praise the Lord with one consent” – Georg Friedrich Händel
Cantata “Ich freue mich in dir”, BWV 133 – J. S. Bach
Director: Pau Jorquera
Palau de la Música Catalana – Concert hall
12th december 2024
Moments estel·lars del barroc europeu
Celebrating the 10th anniversary of the Salvat Bach Scholarship
Director: Pau Jorquera
Palau de la Música Catalana – Concert hall
18th september 2024
Concert de Nadal
Schwingt freudig euch empor, BWV 36 – J. S. Bach
In furore iustissimae irae, RV 626 – Antonio Vivaldi
Wachet! betet! betet! wachet!, BWV 70 – J. S. Bach
Exsultate, Jubilate, K. 165 – Wolfgang Amadeus Mozart
Director: Pau Jorquera
Palau de la Música Catalana
14th december 2023
Concert de Rams a Montserrat
Petite Messe Solennelle
Gioacchino Rossini
Director: Oriol Castanyer
Basílica de Montserrat
2th April 2023
Concert de Nadal
Cantata BWV 61 Nun Komm der Heiden Heiland – J.S.Bach
Laudate pueri HWV 237 – G.F.Haendel
Cantata BWV 147 Herz und Mund und Tat und Leben– J.S.Bach
Director: Pau Jorquera
Palau de la Música Catalana
11th december 2022
Tresors del Barroc
Director: Pau Jorquera
Celler d’Heretat MontRubí
8th September 2022
Oratori de Nadal
Palau de la Música Catalana
15th December , 2021
Solists of the SBB
Bach Collegium Barcelona
Pau Jorquera, director
Nits de Música a MontRubí
Director: Pau Jorquera
Ermita Sant Andreu de l’Avellà
9th September de 2021
Händel for Christmas
Director: Pau Jorquera – Solistes de la Salvat Beca Bach
Palau de la Música Catalana
17th December 2020
J.S. Bach – Magnificat – Palau de la Música
J.S. Bach – Magnificat
Cor de Cambra del Palau & Xavier Puig
Palau de la Música Catalana
9th December 2020
Closing Festival BACHCELONA
Closing of the BACHCELONA Festival with Elionor Martínez and the string octet of the Orquesta del Gran Teatre del Liceu
Gardens of Sant Pau modernist enclosure
16th July 2020
Händel for Christmas
Salvat Foundation fundraiser
Auditori MGS
17th December 2019
Elvira María Teresa Musso Borrás tribute concert
Santa María Reina church in Pedralbes
15th October 2019
- Caminar amb el vent (2018) – Ahmet Suleyman Bilgin
- Good night dear heart (2016) – Dan Forrest
- Northern Ligths (Pulchra es) (2008) – Ola Gjeilo
- Requiem in D minor K 626 (1791) – Wolfgang Amadeus Mozart
- Ave verum K618 (1791) – Wolfgang Amadeus Mozart
Ave Verum K 618 (1791) Wolfgang Amadeus Mozart
Elvira María Teresa Musso Borrás tribute concert
Santa María Reina church in Pedralbes
15th October 2019
Requiem in D minor K 626 (1791) Wolfgang Amadeus Mozart
Elvira María Teresa Musso Borrás tribute concert
Santa María Reina church in Pedralbes
15th October 2019
Good Night Dear Heart (2016) Dan Forrest
Elvira María Teresa Musso Borrás tribute concert
Santa María Reina church in Pedralbes
15th October 2019
Northern Lights (Pulchra es) (2008) Ola Gjeilo
Elvira María Teresa Musso Borrás tribute concert
Santa María Reina church in Pedralbes
15th October 2019
Caminar amb el vent (2018) Ahmet Süleyman Bilgin
Elvira María Teresa Musso Borrás tribute concert
Santa María Reina church in Pedralbes
15th October 2019
Cantata BWV 62 – J.S.BACH
Elena Barraquer Foundation fundraiser
Organised by BZM Foundation,
with patronage from Salvat Foundation
Barcelona, 2nd December 2017
Cantata BWV 198 – J.S.BACH
University of Barcelona Auditorium
Barcelona, 18th March 2017
El Mesias – Georg Friedrich Häendel
Tribute to Elvira María Teresa Musso Borrás, president of honour of Salvat Laboratories
Santa María Royal Monastery in Pedralbes
Barcelona, 10th December 2015

Portuguese soprano Mariana Rodrigues has just completed her MA with Distinction at the Royal Academy of Music in London with a full scholarship, under Marie Vassiliou, Raymond Connell, James Baillieu and Joseph Middleton, where she was awarded a DipRAM for outstanding final recital.
Jana Corominas is a mezzo-soprano from Barcelona. She began her musical studies at the age of 5 with the Suzuki method. In 2024, she graduated from the Conservatori Superior del Liceu under the guidance of baritone Joan Martín Royo, with whom, together with Marta Pujol, she has completed the Master’s degree in Vocal Performance at the same institution. She is currently pursuing the official Master’s in Lied “Victoria de los Ángeles” at ESMUC.
Tenor Itamar Hildesheim completed his master’s degree at the Mozarteum University Salzburg, where he studied with Prof. Christoph Strehl, Prof. Pauliina Tukiainen, and Prof. Andreas Schmidt. He previously studied at the University of Music and Theatre in Rostock with Prof. Karola Theill and Prof. Klaus Häger, and studied his bachelor’s degree at the Jerusalem Academy of Music and Dance, where he studied with Jeffrey Francis and Dr. Ido Ariel.
He began his vocal training in Germany, where he was admitted to the Bavarian State Youth Choir. He earned his Bachelor’s Degree in Performance, specialising in Classical and Contemporary Singing, at ESMUC under Margarida Natividade. During these studies, he took part in masterclasses led by Josep Bros and Wolfram Rieger. He has also worked with Francisco Poyato, Josep Surinyac, Viviana Salisi, Marta Almajano and Assumpta Mateu, among others. In his fourth year, he was awarded the Anna Riera scholarship.
Originally from the countryside of north west Wales, soprano Elen Lloyd Roberts is now
Originally from a Lithuanian family of classical musicians, Justina was born and raised in Rome, and ultimately completed her master’s degree with honours in singing at the University of Music and Performing Arts Graz (Austria) with Prof. Elena Pankratova. She is currently studying concert singing (MA) with Prof. Holger Falk in Graz. In 2023 Justina was part of the opera studio: Accademia “Rodolfo Celletti” in Martina Franca (lead by Sebastian Schwarz and Fabio Luisi) and has since then been coached by Sherman Lowe and Vivica Genaux. She attended masterclasses with Hedwige Fassbender, Cheryl Studer and Andreas Scholl. In October 2024 she won the prize “Best oratorio performance of a german aria” at the San Colombano competition in Piacenza, Italy. Justina performs regularly as a soloist with various baroque ensembles and festivals: Musikfest Stuttgart, Händel-Festspiele (Karlsruhe), Styriarte (Graz), Bachwoche Stuttgart, NODO (Ostrava),Festival della Valle d’Itria (Martina Franca) and works with conductors such as Hans-Christoph Rademann, Walter Kobera, Marcus Merkel, Gerrit Prießnitz, Gary Graden and Jiri Rozen.
The young tenor Héctor Ruiz Vilches (Valencia, 2001) begins his musical studies in the Escolanía de Valencia, where he is one of the main soloists having the opportunity to debut the role of Trujamán by Manuel de Falla at the age of 12 in the Palau de les Arts.
Franco Oportus was born in Santiago, Chile. He studied music at the Alberto Hurtado University in the same city, during which time he participated in various professional productions, such as the cycle of chamber music concerts of the same university, the cycle of Bach cantatas of the Catholic University of Chile and operas in the most important stages of the country, including Dancairo (Carmen), Marullo (Rigoletto) and Pastor 2 (L’Orfeo). Between 2020 and 2022 she participated in the first Young Artists Program in the country, in charge of the Ibáñez Atkinson Foundation, where she trained with renowned teachers such as John Norris, Bradley Moore and Eytan Pessen.












La mezzosoprano suïssa, formada a Freiburg i Leipzig, està especialitzada en música barroca. Ha fet masterclasses a l’European Hanse-Ensemble (amb Ulrike Hofbauer), la Bachakademie Stuttgart (amb Emma Kirkby, Kai Wessel, James Gilchrist i Peter Kooij), i amb Ton Koopman, Lia Serafini i Claudine Ansermet. En el terreny de l’òpera destaquen les seves interpretacions de rols händelians, així com d’Alessandro Stradella i, en solitari, la Passió segons Sant Joan i la “Donner Ode”, de Telemann, “Ehre sei dir Gott gesungen” i diverses cantates de Bach. Ha actuat en llocs com el Theater Freiburg, Theater Naumberg, Stiftskirche Stuttgart, la Ludwigskirche Freiburg o la Heiliggeistkirche Heidelberg, amb ensembles com la Vocalensemble of Bachstifung St. Gallen, Tammurriata a l’Innsbrucker Festtage Alter Musik o el 54eme Festival de Musique La Chaise Dieux. Ha col.laborat amb directors com Wolgfang Katschner, Hans-Christoph Rademann, Christoph Andreas Schäfer, Frank Markowitsch, Tom Koopman o Jérémie Rhorer.



Es va iniciar en l’aprenentatge musical a l’Escolania de Montserrat sota la direcció de Joaquim Piqué i Bernat Vivancos. Allà va estudiar piano, violí i cant, i va treballar amb directors com Sir Neville Marriner i va cantar en gires per Europa. Estudià Cant Clàssic i Contemporani a l’Escola Superior de Música de Catalunya com a contratenor de la mà de Mireia Pintó i Cant Històric amb Lambert Climent. Ha rebut també classes i consell de Carlos Mena, Miriam Feuersinger i Roberto Balconi, entre d’altres. Ha estat becat per la Fundació Victòria dels Àngels i ha participat en el Curs Internacional de Lied de Wolfram Rieger.




Va néixer l’any 1992 a Campina, Brazil. Des del 2016 es troba completant el seu màster en Òpera a la Universitat Estatal de Música i Arts Escèniques de Stuttgart, a la càtedra de Teru Yoshihara. Com a solista, Cangucu ha cantat obres com el Requiem de G. Fauré, l’ Alcaçuz Messe de D. Guainais, l’ Oratorio de Nöel de C. Saint-Säens, la Petite Messe Solennelle de G. Rossini, la G-Dur Messe de F. Schubert i la Johannes Passion de J. S. Bach, entre d’altres. L’òpera constitueix també una part important de la seva carrera musical, havent participat en diferents produccions com Die Zauberflöte (Papageno), La Bohème (Schaunard), La Clemenza di Tito (Publio), Dido & Aeneas (Aeneas), The Telephone (Ben), Le Nozze di Figaro (Conte D’Almaviva), Les Contes d’Hoffmann (Coppélius, Dr. Mirakel i Schlémil), Il Barbiere di Siviglia (Fiorello), Maria Stuarda (Talbot), Viva la Mamma (Poeta), Tannhäuser (Biterolf) i Gianni Schicchi (Gianni).

Va néixer a Reggio Emilia, Itàlia, el 1987 i es va graduar en l’especialitat de cant al conservatori “A.Peri”. Va estudiar música de cambra amb E.Battaglia i repertori barroc amb Sara Mingardo i Monica Piccini. Actualment rep classes regularment d’A.Tosi a Mantua i l 2015 va guanyar una borsa d’estudis al Teatro Lirico Sperimentale d’Spoleto per estudiar amb G.Bertagnolli, G.Banditelli, C.Desderi i M.Comparato i també va participar les Acadèmies de Música Antiga dirigides per Jordi Savall. Canta habitualment amb la Capella Reial de Catalunya i el Ghisliero Choir & Consort i ha col·laborat en diverses ocasions amb l’Ensemble Zefiro, Talenti Vulcanici i el Cor de la Ràdio Suïssa amb M. Pasotti, A. Bernardidni, M. Mencoboni, S. Demicheli, D. Fasolis. Ha estat solista a l’Acadèmia Barroca Europea Ambronay dirigida per S. Kuijken.


Va estudiar al Conservatori Superior de Música del Liceu, becada per la Fundació Ferrer-Salat, amb la professora Dolors Aldea. Va guanyar la Beca Bach – Fundació Salvat 2016, atorgada per la Fundació Bach Zum Mitsingen (BZM) Barcelona. Va participar al 3r Concurs de Cant Josep Palet de Martorell (2019), on va obtenir quatre premis especials.



Nascuda a Barcelona, estudia piano al Conservatori Municipal de Música de Barcelona amb Antoni Besses. Actualment cursa el Grau Superior de Cant amb Mireia Pintó a l’ESMuC, on també rep classes de Josep Surinyac, Francisco Poyato i Enedina Lloris, entre altres. Ha rebut consell de Kurt Widmer, David Mason, Josep Bros, Carlos Mena, Lambert Climent, Wolfram Rieger i Marcel Boone. El darrer any ha participat al projecte Òpera Jove en l’òpera L’impresario in angustie de D. Cimarosa. La seva llarga trajectòria coral li ha permès treballara amb directors com M.Barrera, P.Cao, P.González, L.Hager, X.Pastrana, M.Soustrot, M.Valdivieso i J.Vila. Paral·lelament, el 2012 obté la Llicenciatura de Matemàtiques a la UPC.
Formada entre Catalunya i Bèlgica estudia tècnica vocal amb el mestre Jorge Sirena i ha rebut classes magistrals dels mestres Maite Beaumont, Jaume Aragall, Raquel Pierotti, Rachel Taghikani, Lucienne van Dijck i Carole Wilson. Ha treballat repertori amb Osías Wilenski, Viviana Salisi, Maria Neus Devesa, Josep Buforn i Ricardo Estrada a Barcelona i Filip Martens, Inge Spinette i Jef Smits a Bèlgica. Ha ofert recitals de Lied i com a solista ha rebut molt bones crítiques en el debut dels rols d’Orfeo a l’Orfeo ed Euridice, de Cherubino a Le Nozze di Figaro, o de tercera Dama a Die Zauberflöte. En el camp de l’oratori ha cantat obres emblemàtiques del repertori en espais com la Sagrada Família, el Monestir de Pedralbes, la Basílica de Santa Maria del Mar i la Basílica de Santa Maria del Pi.





Nascut el 1991, comença la seva formació musical a l’Escola de Música de Tarragona i a l’edat de 9 anys ingressa a l’Escolania de Montserrat sota el mestratge de Joaquim Piqué. És membre fundador de l’Ensemble “O vos omnes”,que actualment dirigeix Xavier Pastrana. L’any 2010 comença la carrera de cant a l’ESMUC, on estudia cant amb Mireia Pintó i Marta Almajano i Lied amb Francisco Poyato i Alan Branch. Durant el curs 2013-14, estudia a la Hochschule für Musik Freiburg amb el Prof. Torsten Meyer i Lied amb el Prof. Matthias Alteheld. Ha rebut consell d’Ana Luisa Chova, Kurt Widmer, Lluís Vilamajó, Carlos Mena, Lambert Climent i David Mason. És també, alumne de la classe de Richard Levitt.









